Face Painting Fun in Hatboro

A fun time was had by all at First Friday in Hatboro, and we were there contributing to all the happy faces! Gimme Design helped raise $100 in donations for WAGS, an Animal Rescue, by providing free face painting for the children in the community. Not only that, but WAGS brought puppies for adoption–all but one were sold to loving families! A special thanks to A Dogs Life (and A Cat’s Too!) for providing us their storefront area so we could to do our part. Check out how much fun we had!

Face Painting

Colleen and AJ

WAGS dog looking for a loving family

SpiderMan!

cheese!

Puppy Love

Gimme Design Team

Butterfly

Colleen approves this Spiderman

karaoke

Lizzy Singing

WAGS puppy

Face Painting action

butterfly hands

bumblebee

Jennifer and her sister- Gimme Design Smidge

Zebby

Gracie loving her ladybug

Colleen in action

Jennifer in action

SpiderMan #3!

Painting Faces in Hatboro – 5-7-10

This upcoming Friday, 5-7-10, Gimme Design will be painting faces at Hatboro First Friday.  We will be set up in front of the greatest pet store in the area, A Dog’s Life, and a Cat’s Too! (We are currently re-designing their website) We will be next to WAGS, which will be bringing some wonderful pets that are up for adoption.

Some of the other happenings are:

  • THIS N THAT GIFT SHOPPE
    31 S. York Road
    This N That Gift Shoppe will be having musical entertainment by JACK & BRENDA for First Friday Hatboro on May 7th. We also will have 10% OFF all purchases except for SALE ITEMS.
  • VILLAGE PRETZEL
    36 S. York Road
    Village Pretzel presents FAMILY SING-ALONG! …kids songs, instrument play, and fun musical times for young children and their families. Sing-along times: 6:15 pm, 6:45 pm, 7:15 pm.
  • DELUCA MUSIC
    56 S. York Road
    Deluca Music is pleased to present John Heffren an acoustic guitarist/singer playing hits from the 60’s, 70’s and 80’s.
  • CAFE LA FONTANA
    58 S. York Road
    Hatboro artist BARBARA SURICK will display her watercolors.
  • KRANBERRY KUPBOARD
    216 S. York Road
    Kranberry Kupboard will be holding STITCHERY AND CARD-MAKING CLASSES.
  • HATBORO FEDERAL SAVINGS
    221 S. York Road
    Hatboro Federal Savings will host a photography exhibit by Melanie Eyth. Note cards by Melanie are also available. Bring the kids to make a card for mom, grandmom, nana….refreshments will be served.
  • KP KITCHEN CRAFTS & THE GREATER HATBORO CHAMBER OFFICE
    220-222 S. York Road
    KP Kitchen Crafts and the Greater Hatboro Chamber of Commerce invite you to celebrate that special woman in your life – moms, aunts, sisters, friends etc. Join us for a make & take craft, raffles, and much more!
  • So, come out on Friday… bring the kids, and enjoy a great event!

    10 Common Mistakes in Logo Design

    Courtesy of Smashing Magazine.

    With the power of the Web, and more eyes watching than ever, it’s important for a business to communicate its unique message clearly. The easiest way to recognize a company and distinguish it from others is by its logo. Below, we go through 10 common logo design mistakes that you should avoid if you want to create a successful and professional logo.

    1. Designed By An Amateur

    Avoid websites that promote ridiculously cheap logo packages. You get what you pay for.

    A professional business should look professional. New business owners often invest a lot of time and money in property and equipment, but do not often match it by investing suitably in their logo.

    Here are the most common reasons why many logos look amateurish:

    • The business owner wanted to save money by designing the logo quickly themselves.
    • A friend or relative who claims to know a little about graphic design does it as a favor.
    • The wrong people are commissioned. (Local printers are not likely proficient in logo design.)
    • The business outsourced the job via one of several design competition websites, which are mostly populated by amateur designers.
    • The job was given to an online company that offers really cheap logos.

    All of the above can result in disastrous outcomes. If your logo looks amateurish, then so will your business. A business should know where to look when it wants a new logo. David Airey offers great insight on how to choose the right logo designer for your requirements.

    Here are the advantages of hiring an established and professional logo designer:

    • Your logo will be unique and memorable.
    • You won’t run into any problems down the line with reproducing it.
    • Your logo will have a longer lifespan and won’t need to be redesigned in a couple of years.
    • Your logo will look professional.

    2. Relies On Trends

    Focusing on current logo trends is like putting a sell-by date on a logo.

    Trends (whether swooshes, glows or bevels) come and go and ultimately turn into cliches. A well-designed logo should be timeless, and this can be achieved by ignoring the latest design tricks and gimmicks. The biggest cliche in logo design is the dreaded “corporate swoosh,” which is the ultimate way to play it safe. As a logo designer, your job is to create a unique identity for your client, so completely ignoring logo design trends is best.

    Logolounge has a great section on its website in which it updates current logo design trends every year. Being aware as a designer of the latest crazes is important, mainly so that you can avoid them at all costs.

    3. Uses Raster Images

    An example of how raster graphics can limit reproduction.

    Standard practice when designing a logo is to use vector graphics software, such as Adobe Illustrator or Corel Draw. A vector graphic is made up of mathematically precise points, which ensures visual consistency across multiple sizes. The alternative, of course, is use to raster graphics software, such as Adobe Photoshop. A raster graphic — or bitmap, as it’s commonly called — consists of pixels.

    Using raster images for logos is not advisable because it can cause problems with reproduction. While Photoshop is capable of creating very large logos, you never know for sure how large you will have to reproduce your logo at some point. If you zoom in enough on a raster graphic, it will appear pixelated, making it unusable. Maintaining visual consistency by making sure the logo looks the same in all sizes is essential.

    The main advantages of vector graphics for logo design are:

    • The logo can be scaled to any size without losing quality.
    • Editing the logo later on is much easier.
    • It can be adapted to other media more easily than a raster image.

    4. Contains Stock Art

    Using stock vector graphics in a logo puts your client at risk.

    This mistake is often made by business owners who design their own logo or by amateur designers who are not clued in to the laws on copyright. Downloading stock vector imagery from websites such as VectorStock is not a crime, but it could possibly get you in trouble if you incorporate it in a logo.

    A logo should be unique and original, and the licensing agreement should be exclusive to the client: using stock art breaks both of these rules. Chances are, if you are using a stock vector image, it is also being used by someone somewhere else in the world, so yours is no longer unique. You can pretty easily spot stock vectors in logos because they are usually familiar shapes, such as globes and silhouettes.

    5. Designing For Yourself Rather Than The Client

    11 in 10 Common Mistakes In Logo Design
    Never impose your own personality onto a client’s work.

    You can often spot this logo design sin a mile away; the cause is usually a designer’s enormous ego. If you have found a cool new font that you can’t wait to use in a design, well… don’t. Ask yourself if that font is truly appropriate for the business you’re designing for? For example, a great modern typographic font that you just love is not likely suited to a serious business such as a lawyer’s office.

    Some designers also make the mistake of including a “trademark” in their work. While you should be proud of your work, imposing your personality onto a logo is wrong. Stay focused on the client’s requirements by sticking to the brief.

    6. Overly Complex

    08 in 10 Common Mistakes In Logo Design
    Highly detailed designs don’t scale well when printed or viewed in smaller sizes.

    What better analogy for thumbnail images than fingerprints? You’ll notice the intricacies of your fingerprints only when looking at them really close up. As soon as you move away, those details are lost. The same holds true for highly detailed logo designs.

    When printed in small sizes, a complex design will lose detail and in some cases will look like a smudge or, worse, a mistake. The more detail a logo has, the more information the viewer has to process. A logo should be memorable, and one of the best ways to make it memorable is to keep things simple. Look at the corporate identities of Nike, McDonald’s and Apple. Each company has a very simple icon that can easily be reproduced at any size.

    7. Relies On Color For Its Effect

    2 in 10 Common Mistakes In Logo Design
    Without color, your great design may lose its identity.

    This is a very common mistake. Some designers cannot wait to add color to a design, and some rely on it completely. Choosing color should be your last decision, so starting your work in black and white is best.

    Every business owner will need to display their logo in only one color at one time or another, so the designer should test to see whether this would affect the logo’s identity. If you use color to help distinguish certain elements in the design, then the logo will look completely different in one tone.

    8. Poor Choice Of Font

    10 in 10 Common Mistakes In Logo Design
    Font choice can make or break a logo.

    When it comes to executing a logo, choosing the right font is the most important decision a designer can make. More often than not, a logo fails because of a poor font choice (our example shows the infamous Comic Sans).

    Finding the perfect font for your design is all about matching the font to the style of the icon. But this can be tricky. If the match is too close, the icon and font will compete with each other for attention; if the complete opposite, then the viewer won’t know where to focus. The key is finding the right balance, somewhere in the middle. Every typeface has a personality. If the font you have chosen does not reflect the icon’s characteristics, then the whole message of the brand will misfire.

    Bad fonts are often chosen simply because the decision isn’t taken seriously enough. Some designers simply throw in type as an afterthought. Professional font foundries, such as MyFonts and FontFont, offer much better typeface options than those over-used websites that offer free downloads.

    9. Has Too Many Fonts

    5 in 10 Common Mistakes In Logo Design
    A logo works best with a maximum of two fonts.

    Using too many fonts is like trying to show someone a whole photo album at once. Each typeface is different, and the viewer needs time to recognize it. Seeing too many at once causes confusion.

    Using a maximum of two fonts of different weights is standard practice. Restricting the number of fonts to this number greatly improves the legibility of a logo design and improves brand recognition.

    10. Copies Others

    This is the biggest logo design mistake of all and, unfortunately, is becoming more and more common. As mentioned, the purpose of a logo is to represent a business. If it looks the same as someone else’s, it has failed in that regard. Copying others does no one any favors, neither the client nor the designer.

    We are Volunteering at the SPCA… what can you do?

    As many of you may know, we are all animal lovers here at Gimme Design. I am sure most of you have seen pictures (or have met) Zeb, my shitzu. Zeb comes to work with me everyday, he goes on trips with me, and attends most of the functions I go to. Zeb, is a rescue. Obviously, I am an advocate of animal rescues, so I decided to organize a little function myself.

    The entire staff of Gimme Design will be volunteering a day at the Montgomery county SPCA. We invite you to come along! Saturday, May 15th, we will be arriving at this SPCA at 10am :

    Montgomery County SPCA
    1059 Sweifford Road
    Perkiomenville, PA 18074

    We chose this particular SPCA because not only does it house dogs, cats, and small animals… it also has an entire barn with horses, pigs, goats and chickens. This is strictly on a volunteer basis, and we will be collecting donations to bring with us on that day. If you would like to help, and cannot volunteer please consider dropping off a donation to my office. These are the things you can donate and the animals at the SPCA needs:

    Canned Dog/Cat Food – (very important!!)

    Dry Dog/Cat Food

    Any Pet Food – (rabbit, hamster, reptile)

    Cat Litter

    Old Towels

    Blankets

    Sheets

    Newspaper

    Cleaning Supplies (bleach, cleaners of any kind)

    Anything that is Pet related…

    My office is located:

    Gimme Design
    400 Lincoln Ave. Ste. 2
    Hatboro, PA 19040
    215.681. 2977

    Jennifer@GimmeDesign.com

    Feel free to call or email me if you would like to get involved.

    Photoshop Retouching Tutorial

    In this Photoshop photo retouching tutorial, we’ll learn a very simple technique for changing someone’s eye color in a photo using a Hue/Saturation adjustment layer! Of course, there’s no shortage of ways to change colors in an image with Photoshop, but whether you know which color you want to use or just want to play around and experiment, a Hue/Saturation image adjustment makes changing eye color easy, fast and fun!

    Here’s the image I’ll be using:

    Step 1: Zoom In On The Eyes

    Before we begin, let’s make it easier to see what we’re doing by zooming in on the eyes in the photo. Select the Zoom Tool from the Tools palette, or press the letter Z on your keyboard to select it with the shortcut:

    With the Zoom Tool selected, click and drag out a selection box around the eyes. This is the area we’ll zooming in to:

    Release your mouse button, and Photoshop fills the document window with the area you selected.

    Step 2: Select The Lasso Tool

    Next, we need to select the eyes so we’re not affecting any other areas of the image. For that, we’ll use the Lasso Tool. Select the Lasso Tool from the Tools palette, or press the letter L on your keyboard to quickly select it with the shortcut:

    Step 3: Draw Selections Around The Eyes

    With the Lasso Tool selected, drag a selection around one of the eyes. Don’t worry if your selection outline isn’t perfect since we’ll clean things up later. Once you have the first eye selected, hold down your Shift key and draw a selection around the other eye. Holding down the Shift key will add the new selection to the previous one, allowing us to select both eyes at once:

    We don’t need the pupils in the center of the eyes selected, so let’s remove them from the selection. Hold down your Alt (Win) /Option (Mac) key and drag around each pupil with the Lasso Tool. This will remove them from the selection, leaving us with only the colored area selected. Again, don’t worry about being overly precise for now.

    tep 4: Add A Hue/Saturation Adjustment Layer

    With the eyes now selected, we’re ready to change their color! For that, we’ll use a Hue/Saturation adjustment layer. Click on theNew Adjustment Layer icon at the bottom of the Layers palette (it’s the circle split diagonally between black and white), then selectHue/Saturation from the list of adjustment layers that appears:

    Step 5: Select The “Colorize” Option

    If you’re using Photoshop CS4 as I am here, the options and controls for the Hue/Saturation dialog box will appear inside the Adjustments Panel which is new to CS4. In Photoshop CS3 and earlier, a Hue/Saturation dialog box will appear on your screen. Select the Colorize option by clicking inside its checkbox:

    As soon as you select Colorize, you’ll see the eyes change color in the document window:

    Step 6: Adjust The Hue, Saturation And Lightness

    To change the color, simply adjust the Hue, Saturation and Lightness options by dragging their sliders left or right. Hue will change the basic color, Saturation changes the saturation of the color, and Lightness affects the overall brightness. Be careful not to drag the Saturation or Lightness sliders too far to the right, though, since things can quickly become unnatural looking. The image in the document window will continually update as you move the sliders so you can see a live preview of the changes:

    When you’re happy with the new color of the eyes, click OK to exit out of the Hue/Saturation dialog box (Photoshop CS4 users can leave the Adjustments Panel open since there’s no need to close it). Here’s my image after changing the woman’s eyes from blue to green: